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・ Sam Doumany
・ Sam Doumit
・ Sam Dower
・ Sam Doyle
・ Sam Doyle (disambiguation)
・ Sam Dreben
・ Sam Drover
・ Sam Drucker
・ Sam Dryden
・ Sam Dubbin
・ Sam Duluk
・ Sam Duncum
・ Sam Dunell
・ Sam Dungan
・ Sam Dunn
Sam Durant
・ Sam Dutrey
・ Sam Dwyer
・ Sam Dyson
・ Sam E. Haddon
・ Sam E. Jonah
・ Sam E. Rork
・ Sam Eagle
・ Sam Earl
・ Sam Earle
・ Sam Easterson
・ Sam Easton
・ Sam Eckman Covered Bridge No. 92
・ Sam Edmonston
・ Sam Edwards


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Sam Durant : ウィキペディア英語版
Sam Durant

Sam Durant (born 1961, Seattle) is a multimedia artist whose works engage a variety of social, political, and cultural issues. Often referencing American history, his work explores the varying relationships between culture and politics, engaging subjects as diverse as the civil rights movement, southern rock music, and modernism.〔Jeremy Strick, "Foreword." In Sam Durant eds. Lisa Mark, Jane Hyun and Elizabeth Hamilton (Los Angeles, MOCA, 2002) 9〕 His work of the 90s was inspired largely by the work of Robert Smithson, an artist well known for his interest in history and entropy. Durant's work has been widely exhibited internationally and in the United States. He has had solo museum exhibitions at the Museum of Contemporary Art, Los Angeles, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, S.M.A.K., Ghent, Belgium, and the Govett-Brewster Art Gallery in New Zealand. His work has been included in the Panamá,〔(【引用サイトリンク】title=Bienal Panamá )〕 Sydney,〔(【引用サイトリンク】title=Biennale of Sydney 2008 | Australia's Festival of Contemporary Art )〕 Venice, and Whitney Biennials. Durant shows with several galleries including Blum & Poe〔(【引用サイトリンク】title=Blum & Poe – Sam Durant )〕 in Los Angeles, Paula Cooper Gallery in New York, Praz-Delavallade in Paris and Sadie Coles HQ〔()〕 in London. His work has been extensively written about including seven monographic catalogs and books.
In 2005, his exhibition "Proposal for White and Indian Dead Monument Transpositions, Washington D.C." was shown at the Paula Cooper Gallery in New York.〔Sam Durant, Proposal for White and Indian Dead Monument Transpositions. Washington. D.C. (New York: Paula Cooper Gallery, 2005).〕 This work derived out of a residency he was conducting at the Walker Art Center〔(【引用サイトリンク】title=Walker Art Center – Artists-in-Residence )〕 in 2002. He reproduced 30 Indian massacre monuments that are based on similarities to the massive obelisk Washington monument. In 2006, he compiled and edited a comprehensive monograph of Black Panther artist Emory Douglas’ work.〔Sam Durant, Black Panther: The Revolutionary Art of Emory Douglas (New York: Rizzoli, 2009).〕 His recent curatorial credits include Eat the Market at the Los Angeles County Museum and Black Panther: the Revolutionary Art of Emory Douglas〔(【引用サイトリンク】title=Black Panther: The Revolutionary Art of Emory Douglas | MOCA The Museum of Contemporary Art, Los Angeles )〕 at The Museum of Contemporary Art in Los Angeles and the New Museum〔(【引用サイトリンク】title=Emory Douglas: Black Panther )〕 in New York. He has co-organized numerous group shows and artists benefits and is a co-founder of Transforma,〔(【引用サイトリンク】title=Transforma: New Orleans 2005–2010 )〕 a cultural rebuilding collective project in New Orleans. In addition, he was a finalist for the 2008 Hugo Boss Prize〔(【引用サイトリンク】title=Hugo Boss Ag )〕 and has received a United States Artists Broad Fellowship and a City of Los Angeles Individual Artist Grant.
His work can be found in many public collections including The Art Gallery of Western Australia〔(【引用サイトリンク】title=The Art Gallery of Western Australia Website )〕 in Perth, Tate Modern〔(【引用サイトリンク】title=Tate Modern: International modern and contemporary art )〕 in London, Project Row Houses〔(【引用サイトリンク】title=About )〕 in Houston, and the Museum of Modern Art〔(【引用サイトリンク】title=The Museum of Modern Art )〕 in New York. Durant teaches art at the California Institute of the Arts in Valencia, California.
Durant received a BFA in sculpture in 1986 from the Massachusetts College of Art and an MFA from California Institute of the Arts.
== References ==


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